St. Louisan Kathy Corley’s new documentary film “One Toke Over the Line … and Still Smokin’ " gives folk-rock pioneers Brewer and Shipley their due, highlighting the creative peak they hit while living and working in the Kansas City area during the late 1960s and early ’70s. Corley wisely truncates the infamous clip of Lawrence Welk covering the title song (“a modern spiritual by Gail and Dale”) and gives extended focus to what came before and after. Brewer, from Oklahoma, and Shipley, from … [Read more...] about Brewer & Shipley doc features lots of Good Karma
Stan Plesser
Golden greats: 50 years of Brewer & Shipley
Mike Brewer and Tom Shipley arguably represent the high point of Kansas City rock ‘n’ roll. True, they were and are folkies at heart. But Brewer & Shipley made major-label records with backing from the top rock musicians of the era. They played every venue in town, from the Vanguard coffee house to Cowtown Ballroom to Arrowhead Stadium (opening for Elton John). They helped foster the scene in other ways. Above all, their Top 10 hit from 1971, “One Toke Over the Line,” puts them at the top of the … [Read more...] about Golden greats: 50 years of Brewer & Shipley
The heavy sounds of Stone Wall
If the Classmen (clean-cut brothers, managed by their father) were Kansas City’s equivalent to the Beach Boys and the Chesmann its Beatles, Stone Wall could be likened to Kansas City’s Cream or Led Zeppelin. A power trio with roots in the blues, Stone Wall was led by singer-guitarist Allen Blasco in combination with three different rhythm sections (1968-76). As a young teen (1965-68), Blasco led The Clergymen, whose ever-changing array of musicians included Ray Goldsich, later to … [Read more...] about The heavy sounds of Stone Wall
The passion of Stan Plesser
Stan Plesser, who died Sept. 1 at age 79, arguably did more to foster the pop music scene in Kansas City than any other single person. From 1963 to 1971, his Vanguard Coffeehouse, 4305 Main St., brought the stars and semi-stars of the folk movement to midtown. His subsequent (1971-74) Cowtown Ballroom, 3101 Gillham Plaza, and Good Karma Productions not only brought rock’s brightest stars to shine on local kids like me, but they gave Kansas City such gravitational pull that artists from … [Read more...] about The passion of Stan Plesser